In his recent blog post Die Digital Humanities brauchen ein Ziel: DH-MAX, Wolfgang Schmale wondered whether the digital humanities need a goal and suggested one potential goal, which he calls “DH-MAX.” At the core of DH-MAX is, as I understand it, a new publication infrastructure made up of “megaportals,” i.e., repositories of all the research results that do not really warrant a long-form, narrative publication, organized by interdisciplinary topics such as memory, remembrance, border, migration, othering, nationalism, etc.

This post is a response to Wolfgang Schmale’s post. As his post is in German, my response is also in German. In summary, I disagree that the digital humanities need an explicit goal, because there is no such thing as the digital humanities. I do agree, however, that new forms of publication are needed, and I argue that nanopublications could form the technical infrastructures for the megaportals he envisions.

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Document Engineering and Digital Humanities

Documents of all types have always played a central role in the humanities, both of an object of inquiry and for documenting research results. The digital humanities are thus also concerned with documents and with digital documents in particular. Apart from “traditional” scholarly questions, this raises many new questions, for example, on encoding, markup, and processing of texts, where technical and scholarly aspects interact.

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Digital Humanities Defined

As I’m writing this, I’m on my way back from the conference “(Digital) Humanities Revisited – Challenges and Opportunities in the Digital Age,” which was organized by the Volkswagen Foundation and which took place from December 5 to 7, 2013 in Herrenhausen Palace in Hannover.

Organization and catering were excellent, Herrenhausen Palace is a perfect conference venue, the program was excellent, and I got to meet many great colleagues. There is one thing, however, that increasingly irritates me. It doesn’t have anything to do with this conference, but it is rather a characteristic of the field called “digital humanities.”

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